11 Applause-Worthy Details We Saw In The 2026 Brooklyn Heights Designer Showhouse

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House Beautiful’s report on the 2026 Brooklyn Heights Designer Showhouse highlights 11 design details across bedrooms, gathering spaces and the kitchen. The examples include a preserved-moss canopy, a listening room wrapped in walnut and a backsplash made from 36 custom ceramic tiles. The report does not describe two of the 11 details, and it provides no showhouse dates or visitor information.

House Beautiful has published a report on 11 design details at the 2026 Brooklyn Heights Designer Showhouse, describing rooms by local and other participating designers, from a guest bedroom topped with preserved moss to a kitchen backsplash made from custom ceramic tiles. The selections show how designers used materials, historic references and artwork to give individual rooms distinct identities, though the report does not provide the event’s dates or visitor details.

Among the featured spaces is a guest bedroom redesigned as a wellness retreat by ADROIT Architecture & Interior Design. The team worked with horticulturalist Kelly Costello of Mosswoman on a sculpted canopy of preserved moss. The room also has a collage by artist Rick Midler on sliding doors that conceal a television. The report describes the result as botanical and serene, a characterization of the design rather than a measured assessment.

Other bedrooms draw on different references. Brian Cash said he looked to the neighborhood’s history for his guest room, connecting its patchwork pattern to the former Hotel St. George, which he described as a prominent center of gay life in the borough from the 1920s through the 1970s. Emily Eng used Schumacher’s Ecru union cloth to make her guest bedroom walls appear to rise into a tented ceiling, topped by an antique bronze pendant from the 1920s. Isy Runsewe’s child’s bedroom combines Schumacher’s Beasts wallpaper with vintage and antique furniture, including pieces reupholstered in bespoke fabrics.

In the drawing room, Hannah Hemmerly of HH Studio used a soft blue palette and a skirted sink. House Beautiful links the color choice to a Victorian-era practice in Brooklyn brownstones, where blue drawing rooms could signal wealth and status. Max Aboody’s listening room takes a different approach: warm walnut paneling and heavy velvet drapery create a dimmer, more enclosed setting. The room also draws on 1970s and space-age design.

Rachael Rosenblum put an appliquéd evil eye by artist Ali MacDonald above the elevator doors in her space. Its walls and ceiling are covered in Schumacher’s Giove fabric, patterned with intertwining snakes, and the room includes the studio’s Overnite Sofa and Lollipop Ottomans. In Sarah Fleischer’s office, called The Snug, embroidered floral Corsage drapery conceals a windowless closet converted into a corner banquette. Coral, purple and ochre appear across the room. For the kitchen, Jess and Jonathan Nahon of Sugarhouse Design & Architecture paired a dark metal range hood and warm plaster walls with Melange Marble countertops by Artistic Tile. A backsplash by Riwal Manufaktura comprises 36 custom ceramic tiles based on floral wallpaper in the adjoining dining room.

How Designers Made Each Room Distinct

The report offers a snapshot of how participating designers interpreted a shared historic home through different rooms and materials. Preserved moss, walnut, velvet, wallpaper and handmade tile give the spaces sharply varied textures and moods. For readers considering a renovation, some featured ideas are decorative details, such as a skirted sink or patterned fabric, while others, including custom tilework and a sculpted ceiling canopy, involve more specialized design and fabrication.

The showhouse also connects interior choices to local history and artistic collaboration. Cash’s room references the Hotel St. George and its place in Brooklyn’s gay social history, while Hemmerly’s blue drawing room draws on a claimed historic marker of status. In the kitchen, the Nahons and Riwal Manufaktura used a floral motif from another room as the basis for custom tiles. These examples show how designers described their decisions; the report does not independently document each historical interpretation.

A Brooklyn Home Through Many Rooms

A designer showhouse typically presents rooms created by different designers within one property. In this report, House Beautiful organizes its coverage around 11 details rather than providing a full account of the house, its layout or every participating designer. The described rooms range from private bedrooms and an office to a listening room, drawing room and kitchen.

The article’s historical references are specific to individual designs. Cash pointed to the Hotel St. George, two blocks from Clark Street, as inspiration for a guest bedroom. Hemmerly drew on the reported use of blue in Victorian-era Brooklyn brownstone drawing rooms. The report does not supply citations or further historical detail for those claims, so they are best understood as the designers’ stated influences as presented by the publication.

“Cash wanted the room to feel shaped by this history.”

— Brian Cash, as quoted in House Beautiful’s report

Two Featured Details Lack Descriptions

The source lists 11 details, but its supplied text gives no descriptive copy for “This Continuous Wall Design” or “A Sculptural Chandelier.” Their designers, materials and locations therefore cannot be established from the provided material. It also does not state when the showhouse opened or closed, where visitors could obtain tickets, how many designers participated overall, or whether the rooms remain accessible.

Several historical points appear as design inspiration reported by House Beautiful, rather than independently documented findings in the supplied article. The report also does not provide a complete project list, construction details or visitor response. Those gaps limit what can be said about the event beyond the specific rooms and design decisions it describes.

Further Event Details Are Unavailable

The source material does not announce a next event milestone, future programming or a follow-up report. Readers seeking practical information about visiting the showhouse will need to consult the publication or event organizers for dates, ticket availability and access arrangements. The supplied report alone cannot confirm whether the 2026 event is still open.

Additional coverage or information from the organizers could clarify the two undescribed design details and provide a fuller picture of the house. Until then, the published examples document a range of approaches—from historical references and layered textiles to bespoke architectural finishes—without establishing how visitors responded or which elements were most popular.

Key Questions

What is the 2026 Brooklyn Heights Designer Showhouse report about?

It is a House Beautiful report highlighting 11 design details across rooms in the Brooklyn Heights Designer Showhouse, including bedrooms, a listening room, an office and a kitchen.

Which materials and details does the report describe?

Described examples include a preserved-moss canopy, walnut wall paneling, velvet drapery, tented-looking walls, a skirted sink and a backsplash made from 36 custom ceramic tiles.

Can visitors still see the showhouse?

The supplied source does not give event dates, ticket information or current access status. Check with the publication or organizers for visitor information.

Are all 11 design details explained?

No. The source names a continuous wall design and a sculptural chandelier, but the supplied text does not describe their designers, materials or locations.

Source: rss